Bridal Show Shocker!

Today, I received in my inbox some startling news from my friend Becca Carter, wedding insurance agent over at the Wedding Protector Plan®. The first quarter of the year is when some of the largest bridal shows happen, so I wanted to pass this information along...

Boston police say thousands of brides-to-be and wedding vendors have been scammed by a web site advertising a fake Boston bridal show. More than 6,000 individuals and vendors have paid and signed up with the web site, promising all that a large, elegant wedding show provides. Vendors discovered it was a scam after they tried to contact the convention center, asking when they could set up their exhibits for the show. The FBI is now involved and the web site has been taken down. Read more about this tragedy from The Boston Globe.

How can you make sure that a bridal show is legitimate?

Tips for Musicians:
Never sign up to exhibit at a bridal show without talking with the producers on the phone. Ask them the following questions:

1. Have they produced any other wedding shows or is this one of their first events? Get statistics of how many brides have attended past shows so that you’ll know how many bookings may be possible for you.

2. Where is the show located? Exhibit at shows in areas where you’ll want to travel to perform.

3. What are the dimensions of the booth? Can you fit your entire ensemble into that booth?

4. What’s in the contract? Yes, you need a contract! Find out what the promoter will guarantee to you, in writing.

5. Use your gut feelings to decide if you want to work with a particular bridal fair producer. If they come off like a slimy used car salesman with a hard-sell attitude, run in the other direction.

6. What is the total fee that the producer will charge to you? Take into account all the extras that might not be included in the standard booth fee: electricity, linen rental, extra chairs or tables, etc.

My book, “The Musician’s Guide to Brides”, contains an entire chapter about getting the most out of bridal shows. It’s available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, and of course, at my website at Celtic Harp Music by Anne Roos

Tips for Brides, Mothers-of-Brides, Event Planners, And Anyone Attending Bridal Fairs:

In my upcoming book, “The Bride’s Guide to Musicians: Live Wedding Music Made Easy and Affordable”, I’ll be devoting an entire section to successfully navigating around bridal shows.

To avoid spending money pre-registering for a bridal fair that is a scam, make sure that the show is well advertised. If a promoter is spending good money advertising the show in your local paper, on billboards, on radio, and even on TV, the show is certainly legitimate. A con artist is not going to spend money that they stole from people to advertise a fake bridal fair.

You can also contact the venue where the show is to take place. They can verify that the show will indeed go on as planned.

And if something still doesn’t feel right and you are in doubt about the legitimacy of a bridal fair, don’t register online. Simply show up at the appointed time of the show. All bridal shows allow you to pay admission at the door if you have not pre-registered online.

Bridal shows are great places to find all your wedding vendors in one shopping trip. Don’t let this one horrible incident prevent you from attending bridal shows in your local area.

Please stay in touch, write and comment. I’m looking forward to reading your stories and feedback.

Anne :-)

Mix With Music Masters

On February 24, 2010 at 5:30-7:30 pm I will be a panelist at this music industry networking opportunity.
This is an evening to meet music industry pros who will join in a panel discussion of today's music business and the essentials you'll want in your toolkit as you make your way. I will be on hand, along with other top music industry experts at this free meet-and-greet event. Seating is limited. Request your personal invitation at Tanglewood Productions.

Tips for Writing a Good Ad

It’s an art to be able to write an ad that resonates in the bride’s consciousness, which makes her feel like she MUST find out more about you and your music. I’m not an advertising executive, so I’ll just offer a few points that have worked well for me over the years.

1. What’s the purpose of your ad? Of course, you are introducing yourself to brides. You are also telling them why they should consider hiring you—you are explaining your special benefits to them. This  harkens back to your brochure design, (see previous post) but unless you are advertising on the Internet, you will have very limited space to work with. Boil your advertising copy down to exactly what you want to convey. Be brief and avoid hype. Your print ad is not a late-night infomercial.

2. Write your copy so that a kid can understand it. If you have any children who are at least ten years old, run your rough draft by them. It’s a brilliant way to test your copy. Your ad must make sense to your readers, regardless of their educational level. Besides, if it’s too complex, no one will take the time to read it. Make it fun to read and your advertisement will be remembered.

This method also works for artwork—Jerry DeCrotie, the illustrator for this book, regularly shares his cartoon ideas with his kids. “Sometimes they come up with ideas I haven’t even thought about”.

3. Write a headline that stands out. The headline draws the reader into the body of your ad. Look at the headlines of the existing ads where you’ll be advertising. Then, make your ad different so it will stand out. Let your headline introduce the topic of your ad in just a few words. Be sure that the words in the headline are at that 5th grade reading level, too.

4. Leave room in the ad for a photo. Even if you are purchasing a small, business card sized ad, include a photo showing you with your instrument. Select a photo that looks great even when reduced down to a very small size. If you are not sure which photo to use, ask your graphic designer to help you select the right one.

5. Include a “ call to action”. Tell the readers how to reach you. List your phone number, email address, and web site.

A final word about print advertising: Be a proof Nazi. When you agree to purchase advertising, find out not only when copy is due, but also when you will receive a proof. Respect the deadline to submit corrections. You may have very little time to proof an ad before it goes into print, so get on it right away. In particular, proof all your copy with a fine-tooth comb, especially your contact information. Once an ad goes into print, it cannot be fixed.

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

What to Include in Promotional Brochures

1. A headline. You want this statement to catch the reader’s attention and cause the reader to want to learn more about your services.

2. Your contact information: your name or your band’s name, area code with phone number, email address, and website address. Your address may be included or not, depending on how you intend to distribute your brochures. If the brochure will be a self-mailer, just print your return address on the blank side of the brochure, and there will be no need to print it elsewhere. Include this information on the front of your brochure, and even on several other panels of your brochure, for good measure.

3. Copyright notice. Put a © with your name and the year on the brochure, usually on the back of the brochure or in some inconspicuous place. This is giving copyright notice and will help to insure that your competitors do not swipe the printed information and artwork in your brochure.

4. The benefits of hiring you to perform. Review your competitions’ brochures to decide what to include. Not all of the benefits you list have to be uniquely your own. For instance, your competition may list that they provide amplification free of charge. It may be prudent for you to do the same, just so that your clients know you also have a sound system available. However, also add the unique benefits to hiring you. Your clients will believe they are getting more value for their money.

5. Testimonials. These are positive quotes from key people. If you are just starting out, you can use verbal quotes from friends, mentors, and your music instructor. If you have been performing a while, use quotes from the thank-you notes you received from past wedding clients. You can also include brief excerpts of quotes from reviews of your public stage performances and your CDs, but remember your target client, the bride. It will be most important to her that other wedding clients of yours have something positive to say about you. Be honest in all the quotes you provide and respect your client’s intelligence. People can see through boastfulness. If they think you are making stuff up and are full of boloney, will they hire you?

6. Educate your potential clients. What can you tell your future clients about your instrument and the kind of music that is your specialty? Do a little research and include a short paragraph. And if you have been performing for a while, offer brides suggestions about how to select their music, how to hire musicians, or any other kinds of free advice. Give them a little free information, just for picking up your brochure and showing an interest in you. Offering advice establishes you as an authority in your field.

7. Your experience. This is also known as your bio, and this deserves an entirely new blog posting . . .

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

The Wonderful World of Interactive Gigs

I started the New Year off performing for Edie’s 70th birthday party. What a blast. Her husband, Jack, invited me to play for the birthday dinner at a popular Chinese restaurant in old town Folsom, California. Jack made all the musical selections with me beforehand, and he asked many questions about the tunes. I just thought he was interested, but he made a game of it at the birthday party.

Once everyone was seated, Jack announced to all guests the instructions to the game: They would hear one tune played on the harp that was the love song from the movie “Ghost”, and another tune that was made popular in the movie “Ordinary People”. As soon as someone hears the song, they need to raise their hand and shout out the answer. That person would get a prize (a free sandwich coupon at a local eatery).

Not only did the guests become attentive to the music between their courses of egg rolls and chow mien, it struck up all kinds of conversations about music. And Edie, the guest of honor, was having a great time, as everyone sang “Happy Birthday” accompanied by me on the harp.

My next gig this year was performing for a corporate dinner party at the lovely Edgewood Country Club here at Lake Tahoe. A meeting planner booked me for the performance, and she didn’t know the age group that would be attending the party. So I brought along a wide assortment of sheet music, just in case guests would have requests. Turns out they began requesting music from the moment I began playing Sting’s “Field’s of Gold” and the Beatle’s “I Will”.

In the middle of the festivities, the host announced me by name and said I’d be playing something unusual on the harp for everyone. I selected “Stairway to Heaven”, which was met with “Woot! Woot!” from the crowd. Then, they held up their cell phones, lighters, and candle centerpieces to show their appreciation. I received a big round of applause, quite unexpectedly.

When a gig becomes interactive, it’s great fun for the musicians and the guests. It’s the reason to have live music at an event—getting the guests involved in music that is organically created at any moment.

Tips for Brides, Event Planners, And Anyone Hiring Performers

Invent ways to have your guests interact with the musician. You could include a musical guessing game, allow your guests to throw out requests to willing musicians, do live karaoke with your musicians, pair up songs to announce different events at your party, and more. The music can become the party game or centerpiece of your event, and people will long remember the music afterwards.

Tips for Musicians

Extend your repertoire. Be willing to take requests, accompany others, or simply show off a tune that people won’t expect. Learn to read the crowd by their age ranges and trust your instincts to play what you know they’ll enjoy. It’s a lot of fun to be flexible and surprise your audience.

I have a friend who leads a string quartet, and to this day, one of the most surprisingly popular tunes his ensemble plays is the theme from the Flintstone’s cartoon. Blows the socks off of anyone who may think they are a stuffy string quartet. And I can’t tell you how many people crave hearing “Stairway to Heaven”, “Free Bird” and perhaps a Nirvana or Metallica tune on the Celtic harp. You become a popular commodity when you can think outside the box and provide some unexpected entertainment for your guests. Word gets around about your abilities and you’ll get more bookings.

Have a wonderful New Year and make sure to check out more tips for musicians in my book “The Musician’s Guide to Brides” (which also contains great marketing ideas for all gigs) available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com , and of course, at my website at http://www.celticharpmusic.com/productcart/pc/viewPrd.asp?idproduct=9
I’m looking forward to reading your stories, comments, and feedback.

Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos

(And contact me at anne@celticharpmusic.com for personal consultation and mentoring—Make a living while gigging)

Finding the Perfect Bridal Fair to Show Off Your Talents

I will an exhibitor at the Dream Wedding Show on February 28, 2010 at 11 am-4 pm.
Located at the Cal Expo
1600 Exposition Blvd.
Sacramento, California

Before committing to a Bridal Fair, ask the following questions:

1. Has the promoter produced any other wedding fairs or is this one of their first events? If they produce shows on a regular basis, request statistics of how many brides walked through the front door. This way, you will get an idea of how many bookings are possible at the show (but if they quote 1,000, remember that you will only have time to talk with a small percentage of these brides). Keep in mind promoters may quote the number of people in attendance, not brides. If this is the case, this figure will be inflated, since brides often bring parents and friends along with them to shows.

2. Where is the show located? Brides are likely to attend shows that are in the same towns where they plan to get married. If you live in a rural town fifty miles away from where the bridal fair is held, are you willing to drive this distance for each wedding you book at the show?

3. What are the dimensions of the booth? You’ll need to determine if you, your ensemble members, your performance equipment, several chairs, and a table can fit comfortably in the space provided. After your visit to another bridal fair, you should have a good idea of how much space you will need to eff ectively promote your musical talents to brides.

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

3 Money Saving Tips for Audio and Video Demos

When a potential client is intrigued by the services you have to offer for their wedding (perhaps because of your wonderful business cards and brochures), the very question they are likely to ask is, “Do you have a demo?”

If your answer is "no", read on for 3 money saving tips:

1. Incorporate video clips of your live performances at weddings into your demo tapes. As long as the film quality is apparent, you can save a bundle in shooting costs. You’ll need to get permission from the bride to use the video as a demo. As a gesture of goodwill, you will also need to credit the videographer in the film.
2. Record the video demo first, and then use its soundtrack for your audio demo.
3. Extract stills from your video demo to use as promotional photos.

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.