Tuesday, February 16, 2010

Mix With Music Masters

On February 24, 2010 at 5:30-7:30 pm I will be a panelist at this music industry networking opportunity.
This is an evening to meet music industry pros who will join in a panel discussion of today's music business and the essentials you'll want in your toolkit as you make your way. I will be on hand, along with other top music industry experts at this free meet-and-greet event. Seating is limited. Request your personal invitation at Tanglewood Productions.

Wednesday, February 10, 2010

Tips for Writing a Good Ad

It’s an art to be able to write an ad that resonates in the bride’s consciousness, which makes her feel like she MUST find out more about you and your music. I’m not an advertising executive, so I’ll just offer a few points that have worked well for me over the years.

1. What’s the purpose of your ad? Of course, you are introducing yourself to brides. You are also telling them why they should consider hiring you—you are explaining your special benefits to them. This  harkens back to your brochure design, (see previous post) but unless you are advertising on the Internet, you will have very limited space to work with. Boil your advertising copy down to exactly what you want to convey. Be brief and avoid hype. Your print ad is not a late-night infomercial.

2. Write your copy so that a kid can understand it. If you have any children who are at least ten years old, run your rough draft by them. It’s a brilliant way to test your copy. Your ad must make sense to your readers, regardless of their educational level. Besides, if it’s too complex, no one will take the time to read it. Make it fun to read and your advertisement will be remembered.

This method also works for artwork—Jerry DeCrotie, the illustrator for this book, regularly shares his cartoon ideas with his kids. “Sometimes they come up with ideas I haven’t even thought about”.

3. Write a headline that stands out. The headline draws the reader into the body of your ad. Look at the headlines of the existing ads where you’ll be advertising. Then, make your ad different so it will stand out. Let your headline introduce the topic of your ad in just a few words. Be sure that the words in the headline are at that 5th grade reading level, too.

4. Leave room in the ad for a photo. Even if you are purchasing a small, business card sized ad, include a photo showing you with your instrument. Select a photo that looks great even when reduced down to a very small size. If you are not sure which photo to use, ask your graphic designer to help you select the right one.

5. Include a “ call to action”. Tell the readers how to reach you. List your phone number, email address, and web site.

A final word about print advertising: Be a proof Nazi. When you agree to purchase advertising, find out not only when copy is due, but also when you will receive a proof. Respect the deadline to submit corrections. You may have very little time to proof an ad before it goes into print, so get on it right away. In particular, proof all your copy with a fine-tooth comb, especially your contact information. Once an ad goes into print, it cannot be fixed.

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

Thursday, February 4, 2010

What to Include in Promotional Brochures

1. A headline. You want this statement to catch the reader’s attention and cause the reader to want to learn more about your services.

2. Your contact information: your name or your band’s name, area code with phone number, email address, and website address. Your address may be included or not, depending on how you intend to distribute your brochures. If the brochure will be a self-mailer, just print your return address on the blank side of the brochure, and there will be no need to print it elsewhere. Include this information on the front of your brochure, and even on several other panels of your brochure, for good measure.

3. Copyright notice. Put a © with your name and the year on the brochure, usually on the back of the brochure or in some inconspicuous place. This is giving copyright notice and will help to insure that your competitors do not swipe the printed information and artwork in your brochure.

4. The benefits of hiring you to perform. Review your competitions’ brochures to decide what to include. Not all of the benefits you list have to be uniquely your own. For instance, your competition may list that they provide amplification free of charge. It may be prudent for you to do the same, just so that your clients know you also have a sound system available. However, also add the unique benefits to hiring you. Your clients will believe they are getting more value for their money.

5. Testimonials. These are positive quotes from key people. If you are just starting out, you can use verbal quotes from friends, mentors, and your music instructor. If you have been performing a while, use quotes from the thank-you notes you received from past wedding clients. You can also include brief excerpts of quotes from reviews of your public stage performances and your CDs, but remember your target client, the bride. It will be most important to her that other wedding clients of yours have something positive to say about you. Be honest in all the quotes you provide and respect your client’s intelligence. People can see through boastfulness. If they think you are making stuff up and are full of boloney, will they hire you?

6. Educate your potential clients. What can you tell your future clients about your instrument and the kind of music that is your specialty? Do a little research and include a short paragraph. And if you have been performing for a while, offer brides suggestions about how to select their music, how to hire musicians, or any other kinds of free advice. Give them a little free information, just for picking up your brochure and showing an interest in you. Offering advice establishes you as an authority in your field.

7. Your experience. This is also known as your bio, and this deserves an entirely new blog posting . . .

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.