How to Put Together a Successful Release Party

I am the first to admit that I’m not sure I know the answer to this. And what is “successful”? Having a good turn out, selling lots of CDs, and having fun. But it’s more than that—creating buzz is the most important key, at least to me. I want folks to talk about my recordings days, weeks, and months after the party.

My past CD release parties seemed a bit dull, even to me. So, here are my simple rules for my upcoming CD release party that may turn it around. I’d love your feedback, too. Maybe you have some ideas that I can incorporate, even with just a few weeks away from the big event:

1. Partner with a charity and celebrate an upcoming holiday—I’m combining my upcoming CD release party with fundraising efforts, because people will come out to support a cause. Also, the venue I’ve selected to host the party, Harrah’s Lake Tahoe, is helping me throw the fundraiser, as well as a coming out party for my new albums. (Plus, I can write off the party as a charitable contribution or a business expense.)

I chose to work with Bread and Broth, which helps feed the hungry here at South Lake Tahoe. And since my party is on the Saturday before Thanksgiving, people can help fund holiday meals by attending my party. I chose a non-political charity, a cause that has broad general appeal.

Gary Johnson, from JJ Entertainment, gave me this idea, because we’ve both volunteered for Meals on Wheels home food delivery for seniors in our community and we wanted to do something to help the hungry.

2. Sell raffle tickets for gift baskets containing the new CDs and other goodies—The proceeds from the sale of the raffle tickets go to the charity. It’s a great way to allow a few lucky partygoers to come away with several of my CDs for very little money, almost as a gift.

I’m inviting the charity to bring their own volunteers to handle this and collect the money from the sale of the tickets. I’m also inviting the charity to speak at the party and gather up more volunteers for their cause.

3. Give out the raffle prizes at the end of the party—Winners need to be present. I’m not into shipping baskets of goodies to winners, but more importantly, people will stay until the end of the party.

4. Allow time to schmooze—I made one grand mistake at my previous CD release parties: I brought my harp and performed for a few minutes. People want to party and not attend a concert. They want a personal connection with me. I can’t mingle at the party and perform at the same time. The two don’t mix

So, the harp stays at home, and I’ve hired JJ Entertainment to spin my CDs and make announcements, and Screenbooth Lake Tahoe to keep people happily entertained. I’ll party with guests and sign CDs, and my husband will be handling the CD sales.

5. Have specially-priced CDs available, only to guests of my party—I want my guests to feel that they are getting a deal just by attending, and I’ll give them just that. And I’ll sign the CDs, too, if they like.

6. Create buzz—I’m sending press releases everywhere, posting the party online, announcing it to the local media. It’s a fundraiser, so it is a community event as well as an event that belongs in the entertainment section of the local papers.

My previous release parties were private parties, because I wanted to limit the amount of food served. I was scared of the $$$ involved to feed everyone. But this party is a fundraiser, and the more the merrier. All that I’m asking is that if folks plan to attend that they RSVP so that I don’t run out of food :-)

7. Create anticipation—Very few folks know exactly what tracks are on these CDs. They don’t know their titles. If they want to know more, they’ll need to show up to the party. After all, the CDs aren’t “released” until the party.

Have I forgotten anything? If you’ve thrown a successful CD release party, what did you do to make it a fabulous event? Even if you aren’t a musician with CDs, perhaps you’ve hosted a great product launch party and have some ideas to contribute....

My party is November 20th, and I’ll post here again afterwards to let you know how it went...Or if you are in the area, come and celebrate with me!

Cheers,
Anne :-)

2nd Annual Wedding Faire and Fashion Show

Planning a wedding at Lake Tahoe or Northern Nevada? Meet and audition me at the 2nd Annual Wedding Faire and Fashion Show at Reno’s premiere special event center, The Grove--one of the first green special event centers in the country! Enjoy butler-passed appetizers and a full non-hosted bar as you listen to me perform on my Celtic harp. Email me with your request and I’ll play it for you. Admission is free!

Event details: 
October 3, 2010 at  11am-3pm

Location and information:
The Grove at South Creek
96 Foothill Rd.
Reno,  Nevada
(775)324-7684

Turning and Avocation into a Vocation

The following was originally posted by Caroline Dowd-Higgins from her blog "This is Not the Career I Ordered" on August 2, 2010

Finding it hard to sit still at a desk job, Anne Roos had many occupations over the years before she found her dream career. She was a high school teacher in northern California but didn’t feel supported by the administration and soon burned out because it was not a good fit. All along she had been pursuing her passion on the weekends as a harpist for weddings, concerts and special events. But could she actually make money as a full-time musician?

Turning and Avocation into a Vocation

Anne knew she needed a change from the monotonous filler jobs that were not honoring her passions or her values. She longed for a career that stimulated her intellectually, artistically, and financially, so she took the plunge and decided to make playing the harp her livelihood and not her avocation.

In college, Anne studied music theory and received her formal music education at the University of California, Los Angeles (UCLA). When the Celtic harp piqued her interests, she studied harp techniques from world-renowned harpist Sylvia Woods and contributed to her book Music Theory & Arranging Techniques for Folk Harps. Anne also studied professional stage performance with Ed Hooks (San Francisco, CA) and at the Living History Centre (Novato, CA). Fully trained as a professional musician, Anne didn’t pursue the Celtic harp as a career option right out of university but is now enjoying the opportunities to perform, market, and promote herself as a freelance musician.

From the Wedding March to Frank Sinatra

Her performance career started with Renaissance fairs, and she quickly became a favored soloist for many other types of events. Anne is especially popular for weddings and corporate events. Her concert performances attract international acclaim—Anne’s music has been featured on United Airlines in-flight Music Service. Her music repertoire spans traditional Celtic (Irish, Scottish, Welsh), English, folk, religious and secular, Early, Renaissance and classical music, to Broadway, contemporary modern, popular movie music, Beatles, rock and jazz, and her range is virtually unlimited.

Anne can easily provide the traditional “Canon in D” and “Here Comes the Bride” for a wedding processional, but can also play classic Frank Sinatra or Metallica at a reception. Her ability to faithfully play this broad range of musical styles has made here a popular and much sought after musician for all types of events.

Anne also has a number of CDs available on the market. Her recordings are unique—Her recent releases are actually little books with CDs tucked neatly into the back page. This way, instead of simply buying downloads, her customers have the option of buying souvenir of Anne’s performance that has added value as a gift item.

Risky Business

So why didn’t Anne start out her career as musician and bypass teaching and all the other jobs? At that point in her life, being a musician seemed too risky and not a practical way to earn a living. But over the years, Anne developed a true sense of what she really values on the job and all things kept pointing back towards what she really loved – the Celtic harp.

She now appreciates the opportunity to make her own decisions. She chooses her own bosses in the form of clients for whom she performs. When she made the commitment to give the harp a go seriously, she kept a part-time job at a book store until her scheduled gigs became a full-time endeavor. These baby steps allowed her to pursue guerilla marketing to get the word out about her offerings and made the transition financially feasible.

Since Anne is her own agent, publicist, and marketing specialist, she has become an expert at building professional relationships. Much of her work comes from referrals so it is imperative that she make each client happy, especially the brides, in order to keep the business moving forward. Brides talk to each other so this network has become very valuable in building her business.

Keeping the Brides Happy

Anne is also a published author and considered a wedding music specialist with her book “The Musician’s Guide to Brides”, published by Hal Leonard books as a how-to manual for musicians who are interested in performing at weddings. She also wrote an upcoming book, through the same publisher. It’s for brides and is called “The Bride’s Guide to Musicians: Live Wedding Music Made Easy and Affordable”, due on the market in December of 2010.

Anne counsels and mentors musicians and entrepreneurs to help them make a living by gigging and provides amazing information and resources on her blog: What’s Up With That Gig? This is a wonderful way for Anne to pay-it-forward to others who are paving their way as a professional musician. She covers topics like writing a press release, marketing tactics for musicians and tapping into your business intuition.

Anne also hired a virtual personal assistant to do much of the administrative work for the business so she can focus on making music and meeting with new clients. The human touch is what distinguishes Anne’s business. She takes pride in meeting with prospective clients in person to get to know them and design music for their event in a more personal and customized way.

While business has steadily increased, Anne remembers the early days when she would take any job she could get because she needed the money. She later developed a 6th sense, an intuition of sorts, about which clients she would enjoy working with, ensuring that they would derive maximum benefit from her performance.

Anne really appreciates being her own boss and being able to take time off when she needs it. She has also learned to hire others who do what she cannot to make her business more successful. Her website is her best marketing tool and includes audio and video examples of her work plus an online store where clients can buy her books and many recordings.

A Tweeting Harpist

The rise of social media has helped Anne connect with clients on Twitter, Facebook, blogs, and elsewhere on the ‘net. She is a Celtic harpist with an online presence and finds these resources incredibly beneficial to continue to build her brand and client base.

While classroom teaching was not a good fit in a previous life, Anne now enjoys working with students presenting a number of educational demonstrations for school assemblies annually. She presents workshops and teaches private lessons when her busy performance schedule permits. Anne enjoys teaching students one-on-one, and even does so utilizing computer teleconferencing software, such as Skype. Her public performances include appearances in venues both small and grand: from book stores, private clubs, and café concert venues to resort hotels, cruise ships, Highland Games, Celtic and Renaissance fairs, wineries, meditation retreats, and convention centers. She has accepted invitations to perform for many dignitaries at home and abroad, including, the Lord Mayor of Dublin, Ireland!

Join the Club

Anne told me that she will know she has made it when she can book a private plane to take her and her harp to play gigs wherever she wants around the world! But seriously, she always welcomes new opportunities. At present, Anne is located in the Lake Tahoe region but she aspires to grown her business to take on more international performance opportunities.

For now, this Celtic harpist is very happy playing to her strengths and living her passion. While most musicians transition the other way from a musical career to something else, Anne has taken her musical role to new heights and is thriving with a multi faceted career that includes performance, consulting, teaching and advising other musicians. She even formed a Celtic Harp Club for fans who can follow her travels and receive a free download of her music.

Anne’s Advice and Action Steps:

Hire professionals to do what you can’t. It will save you time and money in the long run.
Seek out resources and support from trusted referrals.
Don’t quit your day job. When transitioning into a new career as an entrepreneur, retain and income until you know it’s time to move on.

Quote: “Take baby steps to realize your dream. It will happen but be patient and always ready.”

Why Giving Away Free Music Downloads Is a Great Music Marketing Technique

Musicians inexperienced in business economics often don’t understand the idea of giving away free music downloads in order to earn sales. Well, I can’t tell you what to do. Sure, I could show you some “evidence”, but my market research is poorly-defined. So really, I can only testify what I’ve done and point you to other bands who swear by it too.

I started out giving away free music on MP3.com. Back then, MP3.com was paying artists every time someone downloads their music. When the site closed down, I had a tough dilemma. Should we keep giving away music or should we stop? I decided to test it.

I took a risk. I realized the reason that we were one of the Top 30 bands on MP3.com was, in part, because of our strategy of how we gave away free music downloads. Thanks to that site, we now have well over a two hundred thousand fans around the world. It is all thanks to free downloads.

WHY does it work? Because my whole music marketing philosophy is not about selling music, it’s about making fans.

You see, my goal is not to sell one CD. My goal is to make a FAN who will buy CD after CD through my entire music career, maybe even provide me with a retirement.

You see, I STILL have a new fan even if they don’t buy my music. True fans tell friends. And friends tell friends. Somewhere magically along the way, people buy my CDs. That’s why I make a living as an independent musician.

Honestly, I won’t claim this is for everyone. If you’re fiddler isn’t comfortable giving away music. Don’t do it. There are other ways to promote yourself. So do what makes you more comfortable.

As for me, I publish a The Bards Crier Music Marketing and Promotion Ezine, and I get musicians telling me all the time how much it’s helped them. But there are just as many others who’ve done as well without.

I guess, I just see my method easier. It doesn’t require me trying to sell someone on something I think is great. They only have to listen again and again. I just provide them the music. They listen and listen and listen. And they are convinced.

Think of it like radio. People freely listen to music over and over ad nauseum. Then they buy the CD. That’s what free music downloads does.

It’s a little counter intuitive but the results are just tremendous. If you’re a musician, give it a try. And if you’re a Celtic musician, make sure you submit your music to the Celtic MP3s Music Magazine.

Marc Gunn is an acoustic Celtic folk musician, called “The Godfather of Celtic music online” for his steadfast support of indie Celtic music, free Celtic music downloads, and his award-winning Irish and Celtic Music Podcast, one of the most-popular music podcasts on iTunes. He has helped 1000s of musicians save and make money with their musical groups through The Bards Crier Music Marketing Ezine.

What to Include in Promotional Brochures

1. A headline. You want this statement to catch the reader’s attention and cause the reader to want to learn more about your services.

2. Your contact information: your name or your band’s name, area code with phone number, email address, and website address. Your address may be included or not, depending on how you intend to distribute your brochures. If the brochure will be a self-mailer, just print your return address on the blank side of the brochure, and there will be no need to print it elsewhere. Include this information on the front of your brochure, and even on several other panels of your brochure, for good measure.

3. Copyright notice. Put a © with your name and the year on the brochure, usually on the back of the brochure or in some inconspicuous place. This is giving copyright notice and will help to insure that your competitors do not swipe the printed information and artwork in your brochure.

4. The benefits of hiring you to perform. Review your competitions’ brochures to decide what to include. Not all of the benefits you list have to be uniquely your own. For instance, your competition may list that they provide amplification free of charge. It may be prudent for you to do the same, just so that your clients know you also have a sound system available. However, also add the unique benefits to hiring you. Your clients will believe they are getting more value for their money.

5. Testimonials. These are positive quotes from key people. If you are just starting out, you can use verbal quotes from friends, mentors, and your music instructor. If you have been performing a while, use quotes from the thank-you notes you received from past wedding clients. You can also include brief excerpts of quotes from reviews of your public stage performances and your CDs, but remember your target client, the bride. It will be most important to her that other wedding clients of yours have something positive to say about you. Be honest in all the quotes you provide and respect your client’s intelligence. People can see through boastfulness. If they think you are making stuff up and are full of boloney, will they hire you?

6. Educate your potential clients. What can you tell your future clients about your instrument and the kind of music that is your specialty? Do a little research and include a short paragraph. And if you have been performing for a while, offer brides suggestions about how to select their music, how to hire musicians, or any other kinds of free advice. Give them a little free information, just for picking up your brochure and showing an interest in you. Offering advice establishes you as an authority in your field.

7. Your experience. This is also known as your bio, and this deserves an entirely new blog posting . . .

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

Finding the Perfect Bridal Fair to Show Off Your Talents

I will an exhibitor at the Dream Wedding Show on February 28, 2010 at 11 am-4 pm.
Located at the Cal Expo
1600 Exposition Blvd.
Sacramento, California

Before committing to a Bridal Fair, ask the following questions:

1. Has the promoter produced any other wedding fairs or is this one of their first events? If they produce shows on a regular basis, request statistics of how many brides walked through the front door. This way, you will get an idea of how many bookings are possible at the show (but if they quote 1,000, remember that you will only have time to talk with a small percentage of these brides). Keep in mind promoters may quote the number of people in attendance, not brides. If this is the case, this figure will be inflated, since brides often bring parents and friends along with them to shows.

2. Where is the show located? Brides are likely to attend shows that are in the same towns where they plan to get married. If you live in a rural town fifty miles away from where the bridal fair is held, are you willing to drive this distance for each wedding you book at the show?

3. What are the dimensions of the booth? You’ll need to determine if you, your ensemble members, your performance equipment, several chairs, and a table can fit comfortably in the space provided. After your visit to another bridal fair, you should have a good idea of how much space you will need to eff ectively promote your musical talents to brides.

Copyright © 2008 by Anne Roos, excerpt from "The Musician's Guide to Brides: How to Make Money Playing Weddings", published by Hal Leonard Books. All rights reserved. No part of this may be reproduced in any form, without written permission, except by a reviewer who wishes to quote brief passages in connection with a review.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

For Musicians and Entrepreneurs

If you want to keep up with how to use the Internet to reach new customers and fans, and to stay in touch with them, you've got to read Joan Stewart's great free e-book, "The Best of The Publicity Hound's Tips of the Week 2009". It's a compilation from Joan's fabulous weekly e-newsletters, which I always can't wait to receive.

I got introduced to Joan when I heard her teleseminar with my friend Bob Baker called "Do-it-Yourself PR Tips for Songwriters, Musicians & Bands on a Budget" . But to me, her very best e-book is her "How to Be a Kick-Butt Publicity Hound", the up-to-date bible on how to get the word out about any business. It contains some very novel ideas. Not your run-of-the-mill business book.

For musicians, you'll find Joan's helpful advice, along with more business advice in my "The Musician's Guide to Brides: How to Make Money Playing Weddings" book, available on Amazon.com, SheetMusicPlus.com, and of course at my website, Celtic Harp Music by Anne Roos.

September Tips for Musicians & Entrepreneurs--Education is the Key to Communication

Regardless of your business, whether you are a musician, a wedding professional, or an entrepreneur in another field, the way to keep communication lines open and to keep your client happy is to educate them about what you do.

As a harpist, most people who initially contact me to play at their wedding or special event may have never thrown another big party before. A bride may have a specific picture in her mind of her perfect wedding, so she'll enter into the wedding planning with these expectations. She may also be wrestling with the expectations of her fiancé, parents, and future in-laws, too.

Accept the very real stress a bride may be under and help her through this process. Educate her about what you need from her, from music selections to the kind of performance area that you require. Don't assume she is experienced with party planning. Even for more relaxed clients who are planning smaller, less formal weddings, they still need to have the same level of communication with you as more stressful clients.

No matter what your line of business may be, inform the client every step of the way about what you'll do for them. Even after they commit to hiring you, don't drop these lines of communication. If they are considering whether to hire you, educate them about yourself, don't "sell" yourself. When offering referrals, educate your client about others, and don't push. And certainly, if a dispute arises with your client, think in terms of educating them about the way you handle business, not in terms of winning an argument.

In the wedding business, educating the client averts wedding disasters. And in all business fields, educating your client results in customer satisfaction, loyalty, and yes, referrals for new customers. Read more general information about weddings and at my Celtic Harp Music blog. Feel free to go there and leave a comment.

Hundreds of additional tips, are available for musicians (and all entrepreneurs) in my book, "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, Sylvia Woods Harp Center catalog, and of course, at my website at http://www.celticharpmusic.com/.

Gratitude and Contentment

This tip is a simple one, and I am reminded of it every time I perform--Gratitude.

In these tough economic times, I try to turn my mind to being grateful for what I am doing instead of getting nervous about how my calendar is filling up. And when a gig doesn't seem to go just as planned, I don't let it get to me. Instead, I think about how wonderful it is to be providing music for someone's special day or special event. Truly, I can't think of anything else I'd rather be doing.

Performing is never boring. Every wedding, every gig is different. Especially when I'm playing for a wedding, I think about the great honor it is to provide music for a very special day in someone's life. I love being part of the celebration!

Musicians whom I interviewed for my book, "The Musician's Guide to Brides" had this to say about playing for weddings:

"...It's my job, and I love it and love weddings. People are usually happy and a bit excited, the locations are usually beautiful, and music makes a meaningful contribution to the atmosphere of a significant event in people's lives."--Gwyneth Evans, Concert and Celtic Harpist

"Making a living playing music at wedding is to move, touch, and inspire others."--Seán Cummings, eighth generation bagpiper

"You play for people who might not have heard live music in years. And when things go right (and they usually do) the room is filled with joyful tears and heartfelt laughter. What's not to like?"--Tim Goldsmith, Red Davidson Trio

"I found it to be a very immediate gratification for music. People come up to you right away and thank you and compliment you vs. the symphony where the people are distant and clap politely for 15 seconds and leave!"--Van Vinikow, The Supreme Being of "The String Beings" string trio/quartet

"I love music!"--Destiny, Harpist from the Hood

What about you? What are you grateful for in your gigging experience? Does a feeling of contentment get you through the rough spots when a wedding gets crazy? And if you aren't a musician, have you experimented with taking gratitude to work with you? If so, how has it changed things? Do share your thoughts by adding your comments below. I'll cover some great ways to demonstrate your gratitude in the next blog entry...

The attitude of gratitude and hundreds of other tips are included in my book "The Musician's Guide to Brides" available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, Amazon.com, and of course, at my website at www.celticharpmusic.com

I'm looking forward to reading your stories, comments, and feedback.

Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos

(And contact me at anne@celticharpmusic.com for personal consultation and mentoring-Make a living while gigging)

How Do You Know if an E-Mail Inquiry is Legit?

With the present economy, e-mail scams are rampant, and wedding businesses, particularly musicians, are often the target.

Most brides and potential clients will include the question “How much?” in their initial email inquiries. They will include your name in the email greeting and may include some additional info about the time, date, and location of the gig. These are all good signs that the bride is genuinely interested in learning about your availability and talents.

However, on rare occasions, you will receive questionable inquiries. Actually, they are not inquiries at all—they are from scammers. As Steve Tetrault of GigSalad.com in Springfield, Missouri explains, “Their ultimate goal is to get you to receive a deposit check for an amount that is greater than what it should be, then ask you for the difference. Their check turns out to be fraudulent and they walk away with a few thousand bucks from you.”

Pretty scary stuff, but true.

Here are seven warning signs that you've received a fake email inquiry:

1. The email message is not addressed to anyone in particular.
It will start off with "Hello", or "Greetings", instead of "Dear Anne". This means that it was probably a mass mailing. Another test: Look at the "To:" field and the "Reply To:" field or the "From:" field in the header of the email. If these are all the same email addresses, the email was a mass mailing, not intended just for your eyes only.

2. The inquiry is riddled with exceptionally poor spellings, grammar, and punctuation.
Yes, some brides can't spell worth beans, but if you try to read the sentences out loud and find the urge to change the order of nouns and verbs, you don't have an inquiry. You have s*pam.

3. The email makes requests that do not apply to the services you offer.
If you are a string quartet, and the email is asking for a wedding DJ, it is too big a mistake to take seriously.

4. The email is giving you bogus information.
I once received an email that said the ceremony and reception would last from 11 am until 7 pm and that my services would be needed for that length of time. Really????

5. The scammer gives you a lot of extraneous info, such as a mailing address and phone number, only to say to contact them by email.
They're trying to convince you that they're for real. Don't fall for it. If an address is provided, go to MapQuest.com or YahooMaps or another map site and see if the address is a fake. You can also try calling a given phone number to see if it actually works.

6. Any email messages from overseas, claiming that they are willing to pay for your travel expenses and accommodations to perform in a foreign country.
Weddings are local events, and brides, event coordinators, and booking agents are most interested in booking local talent. It's pretty unlikely that a client who is not an established fan of yours (already on your email list) will pay you thousands of dollars, put you up in a hotel, provide your meals, and take care of your expenses to travel any distance to perform.

7. Any email from a client or event planner who is itching to pay you upfront, without any previous correspondence or conversations with you.
People aren't that eager to part with their money for any musician, and they like to do a bit of shopping around, asking questions, before they commit to spending money.

If you receive one of these wedding scam emails:

1. Don't reply.
Once you reply, the scammer thinks he has you hooked, and now that he knows he has a legit email address, he may pass your address along to all his scammer friends, too.

2. Report it as s*pam.
If you received the email through an online wedding or music directory, alert them. They'll want to put a halt to it and report it to the correct authorities. Don't blame these online directories, because they are victims as much as you are.

3. Depending upon what is contained in the body of the email, take things a step further.
You can report it to the online FBI Internet Crime Complaint Center (ic3.gov), SpamCop.net, your own Internet Service Provider, and a host of other online agencies that exist to eradicate s*pam.

The above tips, and many more, are found in my book “The Musician’s Guide to Brides”. This book is written primarily for wedding musicians, but it’s also filled with savvy information about marketing, advertising, and promoting your business as a working musician. It’s available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, amazon.com, and of course, at my website at www.celticharpmusic.com.

How have you dealt with con artists? Please share your comments and insights below to help others avoid these pitfalls, too.

Cheers,
Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos
(And contact me at anne@celticharpmusic.com for personal consultation and mentoring—Make a living while gigging)

How to Respond to Incompetent Colleagues

When I arrive at a wedding to perform, I do a little research. I speak to the wedding coordinator and the celebrant (the minister, priest, rabbi, pastor, etc.) prior to the ceremony to get my cues and to learn of any nuances before I start playing. My job goes smoothly when I learn about updates to the ceremony agenda prior to my performance. Questioning the wedding coordinator and celebrant about particulars can make my playing seamless during a ceremony.

But what if the wedding coordinator doesn't care about my needs
and doesn't even want to take the time to talk with me? What if
the coordinator does talk to me but ignores our discussion? This
happened to me at a recent wedding, where there were more than
300 guests at a big church and more than 13 attendants walking
down the aisle before the bride's entrance. I went over all my
cues needed and the church wedding coordinator ignored me. She
mentioned she would close the doors to the room and then re-open
them to signal when the processional would begin, but the doors
remained open at all times. The flower girls were to walk in
last, which was my signal to be ready to play the bridal march.
Instead, the coordinator sent them down the aisle first, and I
was left needing to count the 11 bridesmaids before the bride was
to enter.

I was completely confused, didn't get to play the song selected
for the mother's candle lighting and seating, and it took me
until the appearance of the 2nd bridesmaid to determine that I
needed to skip to the processional music.

Things like this will happen, when other wedding vendors will
simply ignore my needs or not know what they are doing in the
first place. I've known ministers who have refused to talk with
me before the wedding to go over the details, actually admitting
that they didn't know what they were going to do anyway. I was
left to watch for a subtle nod of the head to assume that it was
time to play behind a prayer. Professional photographers and
videographers have stood right in front of me when I needed to
see the processional and bride walk down the aisle. I have played
at weddings where the reception band or DJ was within earshot,
testing their sound systems during the ceremony and drowning out
the exchange of vows. I have performed at corporate functions
when sound systems were promised and not provided, or the sound
tech showed up three minutes before I was to begin playing.

What should we do when we're doing our best job and others
muck it up for us? Here are five tried-and-true pointers:

1. Absolutely do not let on to the bride or your client that
anything is wrong! Do not tell the bride, "Oooops. I couldn't
play the seating music for the mothers because the wedding
coordinator didn't give me my cue." Don't tell her, "The sound
guy didn't show up on time so I couldn't begin playing when your
guests arrived." Do the best you can, smile, and behave as if
absolutely everything is going perfectly. (If the bride or client
complains after the event, be careful about dissing other service
providers. If that idiot service provider hears about it, they'll
make your life miserable. Be gracious and simply apologize.)

2. If something needs to be fixed right away, quietly tell the
offending service vendor about your needs. Have your roadie whisper

into the ear of the photographer, "Please move so that our string
quartet can see when the bride is entering." If the photographer
barks back, everyone within earshot will know that the
photographer is a dolt.

3. If you have a bone to pick with a wedding coordinator or other
wedding vendor, and you assume you will cross paths with this
person again, wait until after the ceremony and quietly tell them
what went wrong, as constructive criticism. Don't ever pick a
fight with them in front of your client and their guests.

4. Forget about it if you predict that you'll never be working
with that person again. For instance, I once performed at a
wedding where my amp was misbehaving, crackling and sputtering.
Instead of quietly informing me that my mic or amp needed
adjustment, the owner of the estate where the wedding was held
yelled at me in front of all the guests seated: "The harp sounds
terrible! All we hear is sh_t". I left that wedding venue having
decided that I would never take another job to perform there
again. Thus, there was no point for me to speak to the owner
about her rude behavior.

5. Your best retaliation is to never recommend an incompetent
service provider to anyone. And if a bride or client asks you
about that person, simply say that you have other businesses that
you prefer to recommend. Don't go into detail. Don't bad-mouth
unprofessional businesses. Instead, compliment competent service
providers with referrals. They will return the favor.

These tips, and many more, are available in my book "The
Musician's Guide to Brides". This book is written primarily for
wedding musicians, but it's also filled with savvy information
about marketing, advertising, and promoting your business as a
working musician. It's available wherever Hal Leonard Books are
sold: music and bookstores, and through online retailers
including sheetmusicplus.com, Amazon.com, and of course, at my
website at www.celticharpmusic.com.

How have you dealt with unprofessional colleagues? Please share
your comments and insights.

Cheers,
Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos
(And contact me at anne@celticharpmusic.com for personal
consultation and mentoring-Make a living while gigging)

TV Loves a Good Sport

Last December, I was invited on the weekend Good Day Sacramento show, on KMAX-TV, CW Channel 31, to perform some holiday music on the Celtic harp...Or so I thought.

During email correspondence prior to my appearance, the producer said, "We hear you can play hard rock on the harp. It would be great if you could do that on our show. Is that okay?" Sure, fine with me. Then, I was asked if it was okay if they put me in an elevator to play "live elevator music", so to speak. Sure, that was fine also. Really, as long as I was safe and my harp was not harmed, these stunts were perfectly acceptable to me.

It was all good TV! I had a blast playing Christmas tunes in an elevator as the doors were opening and closing. And then, I was brought into the studio and played "Stairway to Heaven" to the delight of the show hosts, Cody Stark and Kelly Chapman. It was great fun, and it gave me a ton of publicity, on television and online.

I was invited back again on March 14th for another appearance. Before that date, the producer asked me to be ready to play more rock on the harp. That's all they wanted. And I had a feeling they would place me in another strange place....

Sure enough, my first appearance on the show was a shot of me sitting in the TV station lobby, playing the Celtic harp for the security guard and people who were signing in at the front desk. This is when my main interview took place. Cody said, "We received an email from a listener who said, 'It was nice you invited the harp lady back since you guys stuffed her in the elevator the last time she was here.'" Cody loved hearing hard rock music on the harp and brought up the subject of Metallica. Perfect segway, because I was prepared to play a bit of Metallica's "The Unforgiven", just for Cody. It made his day, but the TV crew wasn't completely satisfied until I was filmed playing in as many places as they could think of. I played in the studio, next to the weather desk, while Cody delivered the forecast (I played Clapton's "Wonderful Tonight"). Then I played in the Spanish translation booth (Sting's "Fields of Gold").

They weren't done with me yet-During one of the commercial breaks, the producer's assistant asked me whether I would play inside the shower of one of the bathrooms in the building. I laughed, and said, "As long as it is clean and dry and no one turns on the water while I'm playing."

Yes, I sat in a shower, playing the Celtic harp with a TV camera held just inches away from my hands and face. Since we were only a few days away from St. Patrick's Day, and the broadcast included a video clip of cabbage bowling (I'm not kidding!), the producer was fine with me playing a bit of Irish music. The sound of Irish jigs bounced off those walls with better acoustics than last December's elevator stint.

My finale: The show credits ran as I played "Free Bird" in the studio, to Cody and the entire crew's applause. "We love having you here. You're such a good sport!" And I loved it too. What fun to be challenged in a way that delights TV viewers! After the show, I said to Cody, "I hope you'll have me back. But maybe you're running out of places to have me play the harp." I added that it was too bad that they didn't have a weather helicopter, and Cody retorted with a sly grin, "Don't tempt me, Anne. You never know what I'll think of next."

As I was packing up to leave, Cody handed me an email he received during the broadcast from a viewer who thought it was cool that I could play Metallica on the harp. And would I play for her brother's wedding? I also received several other gig inquiries later that day. I posted links to the broadcast on my website, my blogs, and on social networking profiles. I twittered about them. And the comments keep coming in. So what if I played inside an elevator and inside a shower? Demeaning? Absolutely not. It made for good TV, I had fun, the TV crew had fun, and I can't beat the promotion.

Tips for Musicians:

There will come a time, sooner or later, that a TV or video camera will be focused on you, and not just a fan sitting in your audience at a gig. You could be the subject of an interview and performing to thousands of viewers. It's the best kind of promotion out there, if you do it right.

I have appeared on radio and television interviews too many times to count in my 25-odd years of performing, but I'm always learning something new about the experience. So, I'll give you just a few pointers that have worked across-the-board for me:

1. Most local TV news shows air live, which means if you make a mistake, it airs anyways. Therefore, do as much up-front preparation as possible. Communicate with the producers well in advance, honing in on everything from what they want you to play, to whether they'll want to give your Cds away on-air, to even a possible dress code.

2. Bring more music than is needed. The producers may change their minds about what they'll want you to play at the last minute. Be flexible.

3. Practice that music. Don't prepare music that is too challenging for you to play under stressful conditions. Don't set yourself up for failure.

4. Glue a smile on your face. Be gracious. Act as if that TV set is the producer's living room and you have been invited to play just for the hosts, the camera, and that guy standing behind the camera. If they ask you to sit somewhere unusual to play, you are entertaining special guests in their own home, kindly oblige. Don't act like a diva (the TV magnifies any behavior you convey-even a subtle expression that says, "You want me to do what???").

5. After the airing, watch the videos of your performance and learn from them. Practice makes perfect-You'll do better each time you get in front of a camera. You will also become more comfortable, too.

6. Always thank the crew and the producers and continue to keep in touch.

I'm no expert on all of this, but I'll point you to a great book containing much more information about handling yourself on TV, for musicians and anyone who becomes the subject of an interview. I like this book because it is very instructional and not full of a lot of hype: Full Frontal PR by Richard Laermer, Bloomberg Press, Princeton, N.J., 2004.

How do you get on TV in the first place? Do your homework--Joan Stewart's multitude of PR tips, ideas, and strategies will get you started.

Many more tips are available from my book "The Musician's Guide to Brides". This book is written primarily for wedding musicians, but it's also filled with advice about marketing, advertising, and promoting your business as a working musician. It's available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, Amazon.com, and of course, at my website at www.celticharpmusic.com.

I'm looking forward to reading your feedback about performing in front of a TV camera.

Cheers, Anne :-)

Anne Roos Celtic Harp Music by Anne Roos (And contact me at anne@celticharpmusic.com for personal consultation and mentoring-Make a living while gigging)

Different is Good

A few weeks ago, I received a call from Monica from the Tuxtown tuxedo rental shop. Excitedly, told me that she would be launching a full-service wedding boutique in a few weeks and wanted me to perform at the grand opening! The date was Valentine's Day, a day she hoped to attract many couples that are headed to the altar.

Monica's new store, the Wedding Emporium, is located in the Carson Mall in Carson City, Nevada. I was looking forward to performing inside her new one-stop shop for tuxedos, bridal gowns, and photography. But when I arrived, Monica said, "There's a stage set up in the middle of the shopping mall. I think it would be much better for you to perform there, where everyone will see you, instead of inside my shop."

It wasn't what I expected--A lone harpist on a big stage inside of a mall? That was okay for the jazz band, which was packing up when I approached the stage, but wouldn't I get lost up there? Would anyone see or hear the harp? Would anyone be paying attention?

As it turned out, the shopping mall was fairly quiet, even with complimentary chocolate-covered strawberries handed out to patrons who roamed about on this Valentine's Day. For a harpist, quiet is a good thing. The harp music reverberated throughout the mall, and people gathered to take seats in front of the stage as I played a mix of Celtic music and modern popular love songs (view my complete repertoire list to get an idea of what I played).

Shoppers approached the edge of the stage and asked for requests, and I sold CDs that they wanted autographed. Even Monica could hear me performing as the harp music wafted into her store. When I finished playing, she bought CDs to sell to her own customers and took a large stack of brochures to pass on to brides-to-be.

Originally, I had an odd picture in my head of being ignored on a big stage in the middle of a mall, for I am a solo musician, not a band. Happily, I was wrong.

Tips for Retail Store Owners:

These are hard economic times, and that means you may need to be a bit creative about getting shoppers into your store. Many shop owners attract customers by discounting prices on selected items by 50% or more. Instead, what if you invested in a musician to draw a crowd?

In the above story, Monica didn't slash prices at all, but even on a quiet shopping day, brides were parading into her store. Of course, she sent a press release to the local paper. She also handed out fliers to other colleagues in her wedding networking group, Weddings of the West. She cooperated with other stores in the mall, too, and they all got the word out.

You could host your own musical events. I have seen a Hawaiian luau band playing in Trader Joe's grocery stores, pianists performing in music stores, string quartets in hotel lobbies, and jazz trios playing inside mall food courts. Take a cue from the folks at Disneyland-they have live music at all their eateries and even outside of shops where people are milling about. Music serves to make patrons linger, and if they linger, they are more apt to buy.

Tips for Musicians:

Don't be afraid to take on a different gig than you're used to playing. If you have never played in a department store, in a shopping mall, in a music store, in a bridal shop, or even inside a grocery store, maybe it's time to give it a try.

Sure, you may need to offer a discount off of your regular performance fees to land these gigs, but if you have CDs to sell, you will make it up in sales. Plus, you just never know who may pick up your business card and give you a call later for a much more lucrative gig. At the very least, you'll get some free promotion.

Go where you are apt to meet future clients. If you primarily play at weddings, approach bridal salons, jewelry stores, cake shops, etc., and see about performing in these retail outlets to gain exposure to brides who may want to hire you. If you primarily teach music lessons, approach full-service music stores to demonstrate how wonderful their sale instruments can sound with proper practice (you might even win yourself a spot teaching in that store, too). If you have your CDs commercially available, you can also perform in bookstores that are willing to stock your CDs. Actually, performing anywhere that people can sit down and take a listen to you can attract new fans, customers, and clients.

Many more tips are available from my book "The Musician's Guide to Brides". This book is written primarily for wedding musicians, but it's also filled with advice about marketing, advertising, and promoting your business as a working musician. It's available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, Amazon.com, and of course, at my website at www.celticharpmusic.com.

I'm looking forward to reading your feedback about performing in retail stores.

Cheers, Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos
(And contact me at celticharpmusic@yahoo.com for personal consultation and mentoring-Make a living while gigging)

A Musical School Performance is a Real Education

I visited Minden Elementary School in Minden, Nevada to give a presentation to 4th-6th grade students. But before attending, I supplied Ms. B, the teacher who invited me, with a complete lesson plan. It included what I was planning to teach: an introduction to the Celtic harp in Renaissance England and Ireland, along with a full discussion of the culture and music from that period.

I dressed in full Renaissance period costume (appropriate for a
middle-class musician from that time), and I brought plenty of sheet
music with me, just in case I ran out of what I planned to play.

When I arrived, three boys helped me bring my equipment into the
multi-purpose room where the assembly would be held. Ms. B
even assigned a young lady by the name of Kai, to make an
introduction to the students before I began my presentation.

There were some 200 students gathered. After explaining about
the culture and dress of the 1500s, I performed the following tunes,
with plenty of explanation in between:

1. Early Music-3 French Dances
2. Written by King Henry VIII-"Pastyme With Good Company"
3. Can they name this tune?--"Greensleeves"
4. O'Carolan's music:
"Shebeg & Shemore"
"Planxty George"
"Carolan's Draught"
5. Renaissance Dances:
"My Lady Carey's Dompe"
"Galliard"
"Epping Forest"--waltz
"Abbots Bromley Horn Dance" and
"The Green Man"-Double jigs
"Considine's Grove"-Hornpipe
"Princess Royal"--Hornpipe
6. Can they tell the difference between which is an air and which is a march?
"Carrickfergus" and "Brian Boru's March"

Encore:
"The Water Kelpie"

I instructed the children to hold their questions to the end of the
assembly, and there was a question/answer period the last ten or
fifteen minutes before my hour was up.

Next, I was lead into the library, where I did an additional
presentation for Ms. B's and Ms. Moyer's 6th grade classes. The
students had prepared questions for me to answer as part of their
"Music and Arts Lecture Series". They wanted to know what it was
like to be a working musician, and they asked questions like "Why
did you want to play the harp?", "Where are harps made?", "Where
do you perform?", and "Do you feel unique because you play the
harp?". I finished off the round of thoughtful questions with a few
more tunes.

Next, cookies, chips, and lemonade were served in the library and
they had "Meet and Greet". The kids thanked me and excused
themselves to get snacks. They mixed and mingled like adults at a
cocktail party! The students were all so well-behaved, and it was a
joy to perform for them.

View some great photos in the photo gallery on my website.

Tips for School Teachers and Principals:

Bringing in musical talent for performances and educational
presentations does not have to be a budget-breaker. By utilizing
the local talent in your community, you won't need to provide them
with accommodations or food. Furthermore, musicians are usually
booked up on evenings and weekends, so their schedules are more
open on weekdays and may pass along a discount to you.

Zero in on exactly what they will be teaching and how that
information or performance will fit into your present curriculum. It is
common to ask for a lesson plan and references. However, if you
require musicians to jump through too many hoops to be
considered (submitting lengthy applications, panel interviews, extensive
press kits, etc.), some musicians my simply decide against
applying in the first place.

Once you have invited a musician for an assembly, prepare the
students for the visit. A great idea is to have the students prepare
questions to ask the musician ahead of the visit, as in the above
example. And afterwards, the children can write essays about
what they learned from the visit. Of course, children who have
behavior issues should be warned or simply weeded out of the
classes who attend the assembly.

Take photos and movies of the presentation to share on school
websites and with parents. Make it a big event. Show that you
support the arts in your community. And keep in touch with the
musicians afterwards--They love to hear how their presentations
were received.

Tips for Musicians:

If you are great with kids and have something to teach and share
about your instrument and your music, consider offering school
presentations as a wonderful way to supplement your income and
do something special for your local community. In fact, there are
many musicians who travel to perform for schools far and wide-
performing for kids is their specialty.

The first step to performing in schools is to contact your local
school districts and find out what their requirements are. Some will
simply instruct you to contact individual school principals to see
about their interest, needs and budget. Larger school districts may
have an arts program in place. In these cases, there will be an
application/interview process before you are even considered.

Hone in on what you can offer to kids. Do a Google search on
"lesson plans" and use those outlines and examples to create
some lessons that tie in with your musical performance. Schools
will want to know what you'll be teaching, and sample lesson plans
provide the format for conveying this information to them.

Finally, include a discount for local schools. We need the arts in
our communities, and children need to see people up-close-and-
personal performing for them.

Many more tips are available from my book "The Musician's Guide
to Brides". This book is written primarily for wedding musicians,
but it's also filled with advice about marketing, advertising, and
promoting your business as a working musician. It's available
wherever Hal Leonard Books are sold: music and bookstores, and
through online retailers including sheetmusicplus.com,
Amazon.com, and of course, at my website at
www.celticharpmusic.com

I'm looking forward to reading your feedback about performing at
school events.

Cheers, Anne :-)

Anne Roos Celtic Harp Music by Anne Roos

‘Tis the Season to Party—The Economy Isn’t That Bad

Rich contacted me to perform at his company's "Holiday Family Luncheon". He was desperately looking for some kind of entertainment that would fit the budget he was given. When I gave him a quote, he exclaimed, "You're much cheaper than a dance band or a DJ! Those guys want $1500 or more, and that doesn't even include their mileage." Within 24 hours, I was hired for a 4-hour holiday party.

About 250 employees, along with spouses and children, attended the banquet. Trees with twinkle lights, fountains, and park benches decorated the Tuscany Ballroom of the Peppermill Resort Casino in Reno, Nevada for this special event. And there I sat, with my harp, dressed in my white and gold gown. Rich said I looked like a snowflake.

I played every holiday classic tune you could imagine, including Victorian Christmas carols and music from the Nutcracker Suite. I also took requests, playing "Stairway to Heaven" for Rich (never mind that it wasn't a Christmas song). And then, when Santa entered the room, I played "Santa Claus is Coming to Town". (For more information of the extent of my song list, check out my corporate repertoire list).

I was tickled to hear from so many guests that the music set a wonderful backdrop for the occasion. People could visit with each other without having to shout over a loud PA system. Many of the attendees stared at me while I played, mentioning later that they had never seen a harp before and were amazed. At the end of the party, Rich, and another company event coordinator Sheryll, said they would certainly consider me for their future employee events and next year's holiday party.

Though there is so much talk of a bad economy and companies pulling back on their holiday festivities this year, this example proves that there are companies that are not in trouble. Rich and Sheryll worked for two merged companies that make chocolate and pet food-both staples that people continue to buy, even in a recession. Holiday cheer still exists.

Tips for In-House Corporate Event Planners:

A down economy does not mean that you have to say, "Bah Humbug!" And put the brakes on your annual employee holiday parties. They can still happen-Just scale them back to fit your present budget.

Instead of the expensive DJ or dance band, opt for soloists or small ensembles. Your guests will be able to mix and mingle without shouting, and not as much space will be required for the performance area. If it is a family party, you can even host a talent show or have employee's children perform, with a little backup accompaniment from a professional musician. There are many inexpensive ways to entertain.

You can also opt to have your party in a smaller venue, go with a buffet service instead of a sit-down meal, or serve only one course, for instance appetizers or desserts. What other budget-saving ideas can you think of?

There are many ways to trim the expenses on your holiday festivities without nixing them altogether, and you can always afford live entertainment.

Tips for Musicians:

Do you truly think that the economy is so bad that no one is partying this year? Think again. Companies that are in recession- proof businesses are doing just fine.

Make yourself affordable to your clients. If you are a large band, let clients know that they can hire just a portion of your group. If you are a soloist, you are probably charging quite a bit less than bands or DJs, and this is a major selling point.

Give the client one quote for the entire package and don't itemize the cost of everything that you are including. Give a secondary package quote if the client doesn't have the budget for the first quote you supplied. Offer to match the theme of the event with your costumes and repertoire. Offer no-cost amplification or other complimentary frills to land the gig.

When you are at the event, be willing to take requests. Play an encore--be generous with your abilities and your time. Bring a few CDs to give as gifts to those who hired you and to the CEO. Realize that corporate clients are in a position to hire you for their future events. The goal is to attract repeat business, and this is accomplished by bending over backwards for your clients.

Stay positive in this tough economy, and you will attract clients to you.

Many more tips are available from my book "The Musician's Guide to Brides". This book is written primarily for wedding musicians, but it's also filled with advice about marketing, advertising, and promoting your business as a working musician. It's available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including sheetmusicplus.com, Amazon.com, and of course, at my website at Celtic Harp Music.

I'm looking forward to reading your feedback about performing at corporate functions. Check back here again for next week's story.

Cheers, 

Anne :-)

Anne Roos
Celtic Harp Music by Anne Roos

Karen’s Happy Wedding Day

Karen had everything lined up months in advance for her destination wedding at the historic Cal-Neva Resort at the north end of Lake Tahoe. Karen scheduled a lovely November wedding inside the Lakeview Chapel. The alpine views were gorgeous.

Karen was precise about every detail for her wedding. The autumn bouquets and the rust-and-gold color scheme matched perfectly. But there was one thing that was out of her control—Reverend Dan thought the ceremony was to start at 4 pm, not 3:30. He arrived 30 minutes late to the ceremony!

Karen was cool about it and happily walked down the aisle without taking notice at all (I think she was too happy to worry about the time on her wedding day!).

Fortunately, I always book ceremonies with a cushion of extra time, just in case the ceremony starts late or runs longer than expected. So, the 90-minutes I scheduled worked out just fine. The newlyweds were whisked off to their reception immediately following the ceremony, and I did not go beyond the time I booked for my performance.

Although the ceremony took place in a chapel instead of a church, Karen wanted Christian hymns intertwined with modern popular selections for her ceremony music. So, she requested to have every other song as a hymn for the seating of the guests. Here’s what I played (for more information on these songs, check out my repertoire list.

Pre-ceremony seating music:
1. “Wind Beneath My Wings”
2. “Amazing Grace”
3. “Imagine”
4. “Morning Has Broken”
5. “From This Moment On”
6. “Be Thou My Vision”
7. “You Raise Me Up”
8. “We Gather Together, A Prayer of Thanksgiving”
9. “Hero”
10. “Blest Are They”
11. “Once Upon A Dream”
12. “Here I Am, Lord”
Mother’s Lighting the Unity Candle: “Ave Maria” by Schubert
Wedding Party of 6 Bridesmaids, 1 Flower Girl, and 1 Ring Bearer: “Canon in D”
Bride’s Entrance: “Here Comes the Bride”
Recessional: Mendelssohn’s “Wedding March”

Karen still had a ceremony full of live music--A ceremony that starts late does not need to ruin the bride’s entire wedding day.

Tips for Brides:

Having a timetable for your wedding day agenda is important, but realize that there can be a delay in your ceremony or reception events. You may have absolutely no control over these mishaps—a bridesmaid may rip her pantyhose before she walks down the aisle, the ring may have been left back at the hotel room, or the minister may arrive late (as in the above example). Don’t let these things get under your skin.

Plan for an extra cushion of time by hiring your wedding and reception services for longer periods than you think may be necessary. You’ll avoid the possibility of paying costly overtime fees. Reserve the ceremony and reception sites for more time, too.

Why feel rushed if some things don’t start exactly on time?

Tips for Musicians:

Always book your wedding gigs with more time than anyone thinks is needed. Anything can happen to delay the start of the ceremony, and the ceremony may run longer than anyone anticipated.

This goes for reception musicians, too, because if the ceremony starts late or runs long, the reception may start late, too. And what if the meal is late being served?

Keep in mind that the larger the guest list, the longer it takes to move the crowd—Seating will take longer, and so will exiting. Therefore, book extra time for larger groups of attendees, too.

When you are generous with the time you quote for weddings, you won’t need to ask for overtime pay. Overtime pay may be a great boon for your bank account, but it is a major bummer to have to request it from the bride.

Many more tips are available from my book “The Musician’s Guide to Brides” available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including Sheetmusicplus.com, Amazon.com, and of course, at my website Celtic Harp Music by Anne Roos.

I’m looking forward to reading your stories, comments, and feedback. Check back here again for next week’s story.

Cheers,
Anne :-)

And Happy Thanksgiving to those of you in the U.S.!

Jerry and Angel Tie the Knot

Not many people plan November weddings, but Jerry and Angel went about it right. It’s off-season for weddings, and that means the wedding services they chose were immediately available. They may have even received a discount for some of their wedding services—A good move in this economy.

Here at Lake Tahoe located in the Sierra Nevada mountain range, it’s chilly fall and the outside temps are not the most comfortable for either the guests or my Celtic harp. So, Jerry and Angel held their wedding indoors, where they and their 30 guests could have a lovely view of Lake Tahoe at Lakefront Wedding Chapel.

Getting married in a chapel does not mean that you are resigned to use their minister. Angel and Jerry brought in Pastor Alan, a Baptist minister, to officiate the ceremony. Everything from the lighting of a Unity Candle to Communion was included in a ceremony that lasted less than one hour!

Pastor Alan personalized the ceremony by including a very sweet story about how Angel and Jerry met online eleven years ago and were finally tying the knot. This moved their guests to both laughter and tears. Angel’s father, with tears in his eyes, started off the ceremony with a prayer. The mark of a great minister is one who will welcome adding material to a wedding ceremony to make it personal to the bride and groom.

Jerry was in charge of music selection, and he decided to mix modern popular love songs with traditional wedding music and Christian hymns. Here’s what I played (for more information on these songs, check out my repertoire list.

Pre-ceremony seating music:
1. “Everything I Do I Do It For You”
2. “Can You Feel the Love Tonight”
3. “Unchained Melody”
4. “When I Fall In Love”
5. “Take My Breath Away”
6. “When You Believe”

Mother’s Lighting the Unity Candle: “Blest Are They”
Wedding Party of 1 Bridesmaid, 1 Flower Girl, and 1 Ring Bearer: “Canon in D”
Bride’s Entrance: “Here Comes the Bride”
After Angel’s father’s prayer: “Here I Am Lord”
Played softly behind vows: “All I Ask of You”
While Angel and Jerry light their Unity Candle: Kenny G’s “Wedding Song”
During Communion: “The Love I Found in You”
Recessional: Mendelssohn’s “Wedding March”

Post ceremony music, while people exited for photos outside:
1. “I Will Always Love You”
2. “From This Moment On”

The look was classic, with Angel’s color selection of silver, light blue, and black (I wore silver silk and black velvet to match the wedding party).

A lovely, one-hour chapel ceremony can be beautiful, affordable, and personalized, right down to the choice of music, vows, and colors.

Tips to Brides:

June is the most popular wedding month, and in many locations, summer is the biggest wedding season. Save money by choosing an off-season wedding date. Even consider a weekday over a weekend date. You’ll have an open choice of available wedding vendors, and you might even receive discounts.

Tips to Musicians:

Only the Pre-Ceremony and Post-Ceremony tunes listed above were played in their entirety. The others were shortened. I needed to watch when the mothers were lighting the candles and wind down “Blest Are They” when they went to their seats. I needed to see when the last attendant in the wedding party arrived at the altar so that I knew when to wind down “Canon in D” and start playing “Here Comes the Bride”. Using your eyes, as well as your ears, is an important skill to develop when performing at weddings. Look up from your sheet music from time to time so that you don’t miss all the action.

Many more tips are available from my book “The Musician’s Guide to Brides” available wherever Hal Leonard Books are sold: music and bookstores, and through online retailers including SheetMusicPlus.com, Amazon.com, and of course, at my website at Celtic Harp Music by Anne Roos.

Jump in and add your comments. Please share your stories and feedback...I’ll continue this blog with another event story next week.

Cheers,
Anne :-)